Boatbuilding V by Andy Parsons

1,800.00

Oil on canvas. 24 x 20 inches. Unframed. This work is part of a series of paintings by Andy Parsons on Boat Builders at Finisklin 2017-2019. It focuses on Andy Parson’s interests; people, places and activities where individuals come together to help each other. For the project Parsons produced a large number of drawings in situ of the boats being built and mended. The work was a conscious strategy of solidarity with the boat builders, whose work would evolve slowly. The idea of time, therefore became important. Each week Parson’s work would pay tribute to the progress of the builds, leading to the drawings changing over time. In his large-scale work he had to choose the moment to amplify from A3 drawings, and the process took several months.

Andy Parsons has shown widely in London, Amsterdam, Dublin and Tokyo. His work includes painting, drawing, printmaking, sculpture, and artists books. Exhibitions have included the Jerwood Drawing Prize and solo shows at the Castlefield Gallery in Manchester and the Standpoint Gallery in London.

He has been involved in a number of projects which have been devised to engage directly with the public. This has led him to work in a number of areas, as a facilitator, lecturer, critic and curator.

His recent work as a facilitator and curator of the Floating World Artists Books has been specifically focused on democratizing the production and consumption of contemporary art. Floating World initially concentrated on making books (works are in the Tate Collection, British Museum), while working with artists in the UK, Ireland and Japan.

‘The Andy Parsons Project’ in Sligo, invited members of the public to sit for portraits, and in return they received a large print of the painting. He set up a studio in a vacant town centre Pharmacy, which was also used to display all the portraits in an open studio weekend. The interaction with the public became part of the artwork, as did the signage he used and the design of the final exhibition, which filled the Pharmacy building.

Recent work has taken its inspiration from the landscape of the west coast of Ireland where figures are conspicuous by their absence and rocks, trees and telegraph poles assumes greater importance than usual. The simplicity of the pictures and the solitude of the scenes allude to German romantic painting as well as the work of Irish artists such Yeats. They are created outside, in the manner of 19th Century Plein Air painting an often in extreme weather conditions. This is a deliberate approach by the artist to challenge the hegemony of the photographic image.

Weight2 kg
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